Download PDF Musical Cognition: A Science of Listening, by Henkjan Honing
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Musical Cognition: A Science of Listening, by Henkjan Honing
Download PDF Musical Cognition: A Science of Listening, by Henkjan Honing
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Why do people attach importance to the wordless language we call music? Musical Cognition suggests that music is a game. In music, our cognitive functions such as perception, memory, attention, and expectation are challenged; yet, as listeners, we often do not realize that the listener plays an active role in reaching the awareness that makes music so exhilarating, soothing, and inspiring. In reality, the author contends, listening does not happen in the outer world of audible sound, but in the inner world of our minds and brains.
Recent research in the areas of psychology and neuro-cognition allows Honing to be explicit in a way that many of his predecessors could not. His lucid, evocative writing style guides the reader through what is known about listening to music while avoiding jargon and technical diagrams. With clear examples, the book concentrates on underappreciated musical skills—"sense of rhythm" and "relative pitch"—skills that make us musical creatures. Research on how living creatures respond to music supports the conviction that all humans have a unique, instinctive attraction to music.
Musical Cognition includes a selection of intriguing examples from recent literature exploring the role that an implicit or explicit knowledge of music plays when one listens to it. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. The evidence shows that music is second nature to most human beings—biologically and socially.
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- Sales Rank: #2916077 in Books
- Published on: 2011-07-01
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x .61" w x 6.24" l, .83 pounds
- Binding: Hardcover
- 156 pages
Review
“[A] well-written and accessible introductory text that avoids technical jargon whilst encapsulating the main cognitive processes of music. One of the key messages that resonate throughout this book is how music is experienced within the mind. Although music is capable of manipulating our emotions, memories, and perceptions, we often fail to appreciate the active and subjective role that our minds play in listening to it. Musical Cognition also challenges conceptions regarding what it truly means to be ‘musical’, using recent evidence to persuasively demonstrate just how ‘musical we all really are… [R]efreshing, engaging, enlightening and, most importantly, intelligible by all.”
—Karima Susi, The Psychologist
“An intriguing study of consciousness and the things that we listen to every day of our lives, Musical Cognition is a fascinating read, an excellent addition to music or psychology community and college library collections.”
—Library Bookwatch
“Honing’s volume… does something more of us in academe ought do: it summarizes his research for a lay audience and tries to show both (a) just what this research is about, and (b) why it is interesting and important.”
—Justin London, Psychomusicology: Music, Mind & Brain
“Honing demonstrates that ordinary listeners, whether children or adults, are a lot more musically savvy than they think they are.”
—Sandra Trehub, Department of Psychology, University of Toronto at Mississauga
“A graceful and precise introduction into the intricacy of what ordinary humans manage to learn about music, naturally and automatically, just by listening.”
—Gary Marcus, Professor of Psychology, New York University and Author of Kluge: The Haphazard Evolution of The Human Mind
About the Author
Henkjan Honing is the KNAW-Hendrik Muller Chair at the Institute for Logic, Language and Computation (ILLC), University of Amsterdam. Honing is the author of over 150 international publications in the area of music cognition and music technology.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Brief, on the right track, not much depth
By Aaron Wolf
The overall attitude and ideas of this book are superb. It is short and arguably over-priced though. The message that music is a subjective experience in the mind of the listener is great, as is the scientific focus.
He discusses how music is distinct from language or from abstract sound. Sections describe issues with perfect pitch (how it isn't really useful for music compared to relative pitch, and that is why it doesn't develop strongly in most people; yet studies show that most of us have some absolute pitch sensitivity); beat induction (how newborn babies feel the beat, how evidence shows cockatoos do too -- though Honing is uncomfortable for some reason with the idea); how every listener is musical, and a few other subjects.
There is a lot to get into about understanding the experience of listening to music. I like that Honing doesn't make everything about cultural associations but deals with the essence of music itself. However, he doesn't get into depth much, so you just get a surface impression of the concepts without learning that much.
I recommend asking your local library to get a copy so everyone can read it once. It isn't a book all that worthwhile to own.
I thought of giving it 3 stars, but it deserves 4 for being the right attitude, enjoyable writing style, and all around decent content; it is just a bit short and minimal.
I wrote a thorough review at my website (see my comment here)
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