Free PDF Tuning, Timbre, Spectrum, Scale, by William A. Sethares
Locate more encounters and also knowledge by checking out the book qualified Tuning, Timbre, Spectrum, Scale, By William A. Sethares This is a publication that you are seeking, right? That corrects. You have actually concerned the right site, then. We constantly provide you Tuning, Timbre, Spectrum, Scale, By William A. Sethares and the most favourite e-books on the planet to download and install and delighted in reading. You may not overlook that visiting this set is an objective or perhaps by unexpected.
Tuning, Timbre, Spectrum, Scale, by William A. Sethares
Free PDF Tuning, Timbre, Spectrum, Scale, by William A. Sethares
Tuning, Timbre, Spectrum, Scale, By William A. Sethares. Is this your spare time? Just what will you do then? Having spare or free time is really incredible. You could do every little thing without force. Well, we expect you to save you few time to review this book Tuning, Timbre, Spectrum, Scale, By William A. Sethares This is a god publication to accompany you in this downtime. You will certainly not be so hard to understand something from this publication Tuning, Timbre, Spectrum, Scale, By William A. Sethares More, it will certainly assist you to get far better info and also encounter. Also you are having the fantastic tasks, reviewing this publication Tuning, Timbre, Spectrum, Scale, By William A. Sethares will not add your thoughts.
Maintain your method to be below and read this resource finished. You can appreciate browsing the book Tuning, Timbre, Spectrum, Scale, By William A. Sethares that you actually describe obtain. Right here, obtaining the soft documents of guide Tuning, Timbre, Spectrum, Scale, By William A. Sethares can be done conveniently by downloading in the link web page that we supply right here. Obviously, the Tuning, Timbre, Spectrum, Scale, By William A. Sethares will certainly be all yours faster. It's no have to await the book Tuning, Timbre, Spectrum, Scale, By William A. Sethares to receive some days later on after acquiring. It's no have to go outside under the heats at mid day to head to guide shop.
This is a few of the benefits to take when being the member and get guide Tuning, Timbre, Spectrum, Scale, By William A. Sethares here. Still ask exactly what's different of the various other site? We supply the hundreds titles that are produced by recommended authors as well as authors, all over the world. The connect to acquire and download and install Tuning, Timbre, Spectrum, Scale, By William A. Sethares is also quite simple. You may not find the challenging site that order to do more. So, the way for you to get this Tuning, Timbre, Spectrum, Scale, By William A. Sethares will be so easy, will not you?
Based on the Tuning, Timbre, Spectrum, Scale, By William A. Sethares details that we provide, you could not be so baffled to be here and to be member. Get currently the soft data of this book Tuning, Timbre, Spectrum, Scale, By William A. Sethares and also wait to be yours. You saving can lead you to evoke the simplicity of you in reading this book Tuning, Timbre, Spectrum, Scale, By William A. Sethares Even this is kinds of soft data. You could truly make better opportunity to get this Tuning, Timbre, Spectrum, Scale, By William A. Sethares as the recommended book to review.
6.4 Summary In the pursuit of genuinely xenharmonic music that does not sacrifice con sonance or depth of timbral material, this chapter presented three concrete examples of related tunings and spectra. The tingshaw bell and the Chaco rock showed how to take the spectrum of an existing sound, draw the disso nance curve, find the related scale, and build a playable "instrument." The crystal section showed how to take an arbitrary complex spectrum and to realize it in sound via a related partial-based scale. Despite the odd timbres and scales, the resulting music gives an impres sion of tonality or key. It has the surface feeling of tonality, but is unlike 19 anything possible in 12-tet. McLaren comments The Chaco Canyon Rock bounces from one inharmonic "scale mem ber" to another, producing an astonishing sense of consonance. The effect isn't identical to traditional tonality-yet it produces many of tonality's effects. One is instantly aware of "right" and "wrong" pitches, and there is a sense of spectral "progression." We call such music xentonal.
- Sales Rank: #17279507 in Books
- Published on: 2014-05-12
- Original language: English
- Number of items: 1
- Binding: Paperback
- 345 pages
Most helpful customer reviews
31 of 47 people found the following review helpful.
Good Work
By A Customer
The other review is over-enthusiastic. Hardly an example of unbiased scientific inquiry, the author basically sets out to prove something and does so without searching for contradictory evidence. As a result, we get a self-fulfilling prophecy.
Very interesting, never-the-less.
Reader's should be warned that this is *not* an introductory text, and that it is not an overview of the area of tunings.
Additionally, it is interesting that the word 'timbre' is in the title, as there is not one iota of original perceptual research here...and timbre is a preceptual phenomenon.
7 of 8 people found the following review helpful.
An interesting combination of mathematics and psychoacoustics
By calvinnme
The author, while experimenting with a synthesizer, discovered that some kinds of scales sound good with some timbres and not with others, and likewise some kinds of timbres sound good in some scales and not in others. He set out to find out why, and the result was this book. The book examines these types of questions by looking at psychoacoustics and produces a model of musical perception that can predict what you will hear when you put certain timbres in specific musical contexts. The first few chapters examine the issues of tuning, timbre, spectrum, and scale in nonmathematical terms. Only in later chapters does the author introduce the math behind the modeling. A CD accompanies the book that allows you to listen to the sounds and the various tunings recommended in the book and verify that the model works correctly. This book is a good companion to Perry Cook's more basic book on psychoacoustics entitled "Music, Cognition, and Computerized Sound", which is a much less mathematical work. I enjoyed this book because I'm interested in multimedia computing and I'm always looking for texts that explore the relationship between images, sound, and mathematics. You'll need to be familiar with music theory before you tackle this book, since the author makes some assumptions there about his audience. However, he is fairly gentle with the mathematical portion.
52 of 60 people found the following review helpful.
A Landmark Book in the History of Musical Sounds
By James C Sethares
While experimenting with musical instruments and sounds, the author observed a new relationship between the timbre of sounds and the tunings in which sounds are played. In an effort to understand this relationship the author hypothesized a mechanism for relating spectrum to scale. He then went to the heart of the matter, figured it all out, and proved the hypothesis. All of this and much more are clearly presented in Tuning, Timbre, Spectrum, Scale (TTSS).
TTSS is written so as to be comprehensible to a wide readership. It was a pleasure reading this informative and stunning book. In places it is even entertaining as the author's sense of humor shows through. The book should eventually find its way into many libraries (public, private, and institutional) because it contains new and important original contributions to many areas of music.
There are 345 pages divided into 13 sections and 6 short appendices. There is an extensive bibliography, a discography, an index, and an accompanying Compact Disk containing 33 sound examples. All sound examples are explained in the book, and they provide convincing support for the author's premises.
A succinctly written Prelude tells what Tuning, Timbre, Spectrum, Scale is all about. I found myself looking forward to learning more about the ideas outlined here. You'll find yourself anxious to learn where a particular concept will lead. The author has a knack for gradually building up an idea to its climax while keeping the reader involved, and this is rare amongst books where new ideas are being presented.
The book begins, in Section 1, with a challenge to current thinking concerning the consonance of musical octaves. A new idea is presented and its validity demonstrated using audio examples on the accompanying CD. ... Superb demonstration!... Section 1 also introduces a unique and practical method of quantifying the tonal consonance of any musical sound. The next four sections are entitled respectively: The Science of Sound, Musical Scales, Consonance and Dissonance of Harmonic Sounds, and Related Spectra and Scales. These sections taught me much about musical sounds and concepts. They are well written and include many informative figures, and they provide descriptions of more unique audio examples on the CD.
The Science of Sound section addresses the issue: what is sound? This leads into clear discussions of relevant terms. The reader is taken on a fascinating journey into timbre, pitch, scales, tunings, spectral analysis, beats and consonance. After reading about Musical Scales, you'll feel like an expert, and gain an appreciation of scales since the time of Pythagoras. You'll understand the profound influence they have had over the centuries in defining musics of an era.
The next section on Consonance and Dissonance provides a historical perspective of the way in which these terms have been used, and then focuses on Sensory Consonance. This has the unique property, amongst consonance/dissonance concepts, of being quantifiable in a scientific sense. It is here that one discovers a fundamental connection between the consonance works of Helmholtz 1877, Plomp & Levett 1965 and Partch 1974, which leads to a reasonably complete understanding of sensory consonance. The plot thickens as the connection between sensory consonance and musical scales unfolds. This connection is then transformed into practice as the author creates new and unique songs, A Bell, A Rock and A Crystal. It is amazing to observe musical passages created in this way.
The following section, Adaptive Tunings, describes the author's algorithms for tuning in real time, or , as is sometimes described, how to "tune on the fly". Once again, the accompanying CD provides adaptively tuned musical passages verifying algorithmic predictions. It seems that music is about to expand its domain of musical sounds in a significant way. Read the book to find out why and how this is happening.
The book contains much, much more. There is a section on Gamelans, a theory for 10 TET, dissonance curve computer programs, sensory consonance score of a Scarlatti sonata, analysis and synthesis of harmonic and non-harmonic sounds. Fourier Transform analysis and limitations, dissonance surfaces for chords, and a well thought out final section: Speculation, Interpretation, Conclusion.
I believe the author also recognized a basic limitation of Western music, and again went to the heart of the problem, figured it all out, and then proved his point. The result of these efforts is this exceptional book.
Tuning, Timbre, Spectrum, Scale, by William A. Sethares PDF
Tuning, Timbre, Spectrum, Scale, by William A. Sethares EPub
Tuning, Timbre, Spectrum, Scale, by William A. Sethares Doc
Tuning, Timbre, Spectrum, Scale, by William A. Sethares iBooks
Tuning, Timbre, Spectrum, Scale, by William A. Sethares rtf
Tuning, Timbre, Spectrum, Scale, by William A. Sethares Mobipocket
Tuning, Timbre, Spectrum, Scale, by William A. Sethares Kindle
Tidak ada komentar:
Posting Komentar