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The sixty-eight short works in this collection (some only a paragraph, others a few pages) straddle memoir and fiction, exploring the nuances of sexuality, motherhood, love, and ambition. Like Lydia Davis, Aurelie Sheehan's stories are potent miniatures that blossom out from seemingly insignificant encounters and objects. Jewelry Box is a collection of intimate renderings of the life that surrounds us, just under the surface.
Aurelie Sheehan is author of two novels, History Lesson for Girls and The Anxiety of Everyday Objects, and the story collection Jack Kerouac Is Pregnant. She teaches in the MFA program at the University of Arizona in Tucson.
- Sales Rank: #1752146 in Books
- Brand: Sheehan, Aurelie
- Published on: 2013-10-01
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x .40" w x 5.20" l, .25 pounds
- Binding: Paperback
- 152 pages
- Used Book in Good Condition
From Publishers Weekly
Sheehan's (History Lessons for Girls) collection of 58 short stories features histories somewhere between flash fiction and prose poems and memoirs. Sheehan uses small moments and objects that capture the essences of larger personal histories—lives made up of motherhood, writing, love, friendships, and everything in between. In Density, she makes a much-put-off telephone call to her great-aunt. The smallest gesture of sisterly tenderness is depicted in Devotion. In Suntan Lotion, a teenage girl lays on the beach with her new love interest. A young writer has dinner with her mentor and marvels at a dessert chef's ability to deliver a punchline in Joke. Rather than getting ensconced in the heavy drape of narrative, these short flares of memory allow the reader to enter Sheehan's memories as they are in her mind—a jumble of moments, people, objects, and sounds as they exist before analysis and ordering. (Oct.)
Review
The Story Prize Blog's 'Outstanding 2013 Short Story Collections'
“Micro-fictions, flash-memoirs, prose poems, incidents, anecdotes, extended metaphors-there’s no differentiation on the book’s part, nor is there much need, as most of the pieces are glittering little truths whether factual or not... In the end it’s the images within the pieces—stories, memoirs, whatever you want to call them—that remain under your skin.” -Inside Higher Ed
“Rather than getting ensconced in the heavy drape of narrative, these short flares of memory allow the reader to enter Sheehan’s memories as they are in her mind–a jumble of moments, people, objects, and sounds as they exist before analysis and ordering.” -Publishers Weekly
“Sheehan’s histories focus on moments, on objects, on fragments. We, the readers, do the rest, carrying through our days Sheehan’s embodiments of familiar things, letting our own minds and experiences fill in her ellipses.” -Three Guys One Book
“Not quite prose poems, not quite flash fiction, not quite memoir–nonetheless all of the above–the little pieces in Aurelie Sheehan’s new collection that she calls ‘histories’ do, in fact, hint at her life history... Her entries–some as short as a single paragraph; none longer than a few pages–explore feminine sexuality, motherhood, daughterhood, and the writer’s life related to feminine sexuality, motherhood, daughterhood.” -Tucson Weekly
“The book is written as if to disprove the fact that our trinkets are useless — 58 stories that coalesce into a study of connection, a whole that becomes greater than the sum of its parts... Sometimes dream-like, autobiographical, or poetic, the book resists mere categorization in favor of assembling a vivid collection of instances imbued with nostalgia and import.” - Brooklyn Rail
"Many of the stories are relatable and go into private depths not often explored. Sometimes mundane things are fascinating, only because we don’t generally dwell on them. And sometimes mundane things, taken out of context, become profound.” -Trop
“…the value is in each piece’s ghostly history, where it has been, whose it was, what resonant deep emotions (pains, joys, fears, loves) are embedded in its tiny form. These histories can be quiet, and they can be loud. They can be momentous and they can be focused on almost overlookable interstices between such memorable moments … There is an energy, a humor, and a raucous charge running through these stories, building beyond itself.”-DIAGRAM
"The jewelry box serves perfectly as a metaphor for a collection of histories composed of memories, objects, shards, 'all the hard, broken things' that we inevitably grow up and take possession of over a long period of time: a lifetime, no less, in which Sheehan and her multitude of narrators/voices reminds, we may never see 'the whole story.'" -New Letters
About the Author
Aurelie Sheehan is the author of two novels, History Lesson for Girls (Viking Penguin, 2006) and The Anxiety of Everyday Objects (Penguin Books, 2004), as well as a short story collection, Jack Kerouac Is Pregnant (Dalkey Archive Press, 1994). Her work has been widely published in venues including Alaska Quarterly, Conjunctions, Epoch, Fairy Tale Review, Fence, New England Review, The New York Times, Ploughshares, and The Southern Review. She has received a Pushcart Prize, a Camargo Fellowship, the Jack Kerouac Literary Award, and an Artists Projects Award from the Arizona Commission on the Arts. Sheehan teaches in the MFA program at the University of Arizona in Tucson, where she lives with her husband and daughter.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Admirably written
By Valerie
Really is a book of gems, whether about riding in a high-rollin truck to remembering a father's voice reading Alice in Wonderland and having it carry through when she goes down her own rabbit hole. I wanted 100 more little stories. Keep an eye on this gal.
1 of 1 people found the following review helpful.
Highly recommended
By Oronte Churm
Micro-fictions, flash-memoirs, prose poems, incidents, anecdotes, extended metaphors--there's no differentiation on the book's part, nor is there much need, as most of the pieces are glittering little truths whether factual or not. What you want from a jewelry box is interest--of form, color, texture, history, personal meaning, delight, the sense of life itself cut multifaceted from rock, or at least made plastic. What you want is the feeling that handling these pieces was time was well spent. It most definitely is.
0 of 0 people found the following review helpful.
Fast reads
By patricia dabkowski
Good short stories set in Tucson
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