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Improper Modernism: Djuna Barnes's Bewildering Corpus, by Daniela Caselli
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In her compelling reexamination of Djuna Barnes's work, Daniela Caselli raises timely questions about Barnes, biography and feminist criticism, identity and authority, and modernist canon formation. Through close readings of Barnes's manuscripts, correspondence, critically acclaimed and little-known texts, Caselli tackles one of the central unacknowledged issues in Barnes: intertextuality. She shows how throughout Barnes's corpus the repetition of texts, by other authors (from Blake to Middleton) and by Barnes herself, forces us to rethink the relationship between authority and gender and the reasons for her marginal place within modernism. All her texts, linked as they are by correspondences and permutations, wage a war against the common sense of the straight mind. Caselli begins by analyzing how literary criticism has shaped our perceptions of Barnes, showing how the various personae assigned to Barnes are challenged when the right questions are posed: Why is Barnes such a famous author when many of her texts remain unread, even by critics? Why has criticism reduced Barnes's work to biographical speculations? How can Barnes's hybrid, eccentric, and unconventional corpus be read as part of literary modernism when it often seems to sever itself from it? How can an oeuvre reject the labels of feminist and lesbian literature, whilst nevertheless holding at its centre the relationships between language, sexuality, and the real? How can Barnes's work help us to rethink the relation between simplicity and difficulty within literary modernism? Caselli concludes by arguing that Barnes's complex and bewildering work is committed to a high modernist notion of art as a supremely difficult undertaking whilst refusing to conform to standards of modernist acceptability.
- Sales Rank: #5444493 in Books
- Published on: 2009-04-28
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 6.25" w x .75" l, .0 pounds
- Binding: Hardcover
- 304 pages
Review
'A groundbreaking contribution to Barnes scholarship.' --Rochelle Rives (CUNY), European Legacy, 13:2 (April 2011), 178-179
Caselli s reading of the first encounter with Robin Vote in Nightwood [...] is the most thorough, sophisticated, insightful, and ultimately convincing in all Barnes scholarship to date. I would direct any reader to this section (163 166) as exemplary of what is achieved in this study and, in a very real sense, to take this as the last word on this crucial scene in Nightwood. [...] For the scholar looking to understand why Barnes is an exceptional modernist writer, why she does not conform to the patterns of modernism but is simultaneously an exemplary modernist, Improper Modernism is the book to turn to. [...] Caselli s volume makes a crucial contribution to current scholarship, challenging the way marginal or anomalous writers are normalised in critical practice. Ultimately, as Caselli herself states, the account she presents in Improper Modernism does not let us wallow in our complacent and appropriately transgressive reading practices (259).-- --Alex Goody (Oxford Brookes University), Modernism/Modernity 18: 2 (April 2011), 478 480
Of the three [recent studies of Barnes and modernism reviewed here] Caselli s is by far the most ambitious and thorough in its treatment of Barnes. Each chapter draws extensively not only on the primary texts but on letters and notes pulled from the archive, and even the underscored passages and marginalia in Barnes s personal copies of Proust, Pascal, and many others. It also provides an impressive consideration of her visual arts. All of this makes Improper Modernism an exciting resource that will have a lasting and propulsive influence on Barnes scholarship.--
Brian Glavey (University of South Carolina), The Space Between: Literature and Culture, 1914-1945, 6:1 (2010), 153-160
[...] a book of meticulous research and argument that draws deeply on archival sources, other Barnes and modernist scholarship, and feminist, queer, and psychoanalytic theory to make its case. Among the benefits of this approach are Caselli s appreciative accounts of French, German and Italian scholarship on Barnes typically neglected by American critics ¬ and her careful correlation of lines in Barnes s own oeuvre with passages marked and annotated in Barnes s personal library.-- --Susan Edmunds (Syracuse University), Tulsa Studies in Women s Literature, 29:1 (Spring 2010), 199-200
About the Author
Daniela Caselli is senior lecturer in twentieth-century literature and culture in the Department of English and American Studies at the University of Manchester, UK.
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